Paris Bohemian
In Belle Époque Paris, two starving bohemians Erik Satie and Claude Debussy meet in a chance encounter at an occult bookstore, and find instant rapport and musical kinship. Having been expelled from the Conservatoire, the young Satie plays piano at a Montmartre cabaret, Le Chat Noir; reveling in the creative license the arts’ Mecca affords. Debussy has just returned after three disappointing years of study as winner of France’s highest musical honor, the Prix de Rome. He’s stifled by the limits of tradition and hungers for inspiration. Satie spurs Debussy to experiment with unconventional sounds, and they launch a turbulent crusade against the stale academic institutions and narrow-minded journalists that keep a strangle hold on French music. The friendship between the two young men provides solace as they struggle to find their way forward. With Satie’s encouragement, Debussy takes an unorthodox risk and composes his landmark achievement, Afternoon of a Faun, leaving Satie to harbor a silent envy and fear of inadequacy. Debussy offers to promote Satie by orchestrating one of his compositions, getting it performed at a major venue, and bringing Satie new acclaim. But their friendship becomes tainted by unspoken rivalry and competition. The relationship is nearly destroyed when Satie suspects that Debussy has plagiarized his work. Satie struggles to keep himself from sinking into a pit of angry despair. Can he earn his place in a flourishing epoch and compose a triumph for the ages, or will he falter on the rocks of ridicule and his personal demons?